The film you are about to see is called THE BENEFACTRESS (an exposure of cinematic freedom), and although the director is credited as producer, part of the financing behind it is actually from this woman who, for obvious reasons, chose an alias (Elektra McBride), as she prefers to remain anonymous. She provided Metropolitana with all the necessary resources, on the condition that she would be part of it (despite living overseas) through a video link as filming took place.  

This film is an account of the “other side” of the film industry and shows what an underground filmmaker can do with ‘mainstream’ money and ‘support’ from some of the same people who, on the outside appear to be against ‘unconventional’ cinema, but often behind closed doors and with fake names, can and do actually contribute to the very existence of this type of filmmaking.